![]() ![]() Or second: Make a low-poly mesh in other application with the right edge flow, divide it several times in ZBrush and sculpt the mesh to its final stage. First: Start modelling using zSpheres or primitives and paint with the sculpting brushes to find quickly the character you want. There are two ways to work with ZBrush I guess. Which ZBrush techniques and applications have been useful to you in your work? How did you first discover ZBrush? I have seen the gallery on the Pixologic Site, works from Dave Cardwell, Zack Petroc, Hiroshi Yoshii and other great artists, and I was immediatly aware that ZBrush is a must for every digital sculptor. ![]() For illustration I have used 3D Software for many years. I also work as an illustrator for advertising and editorial. I am founder and partner of Design Ahead, a design studio, that creates packaging and corporate design for international companies like Metro, Procter & Gamble, Sara Lee and Karstadt etc. I studied Design at the Folkwang School in Essen/Germany. We had the opportunity to interview Ralf Stumpf, founder of Design Ahead and acclaimed artist/illustrator, about his experiences with ZBrush.
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